It's time for another Take a Poem, Leave a Poem segment on the blog. To show you how it works, my first Take a Poem, Leave a Poem post is below:
I've been inspired by the "take a penny, leave a penny" jar at the local deli.
Poems in the jar today:
"Arf" by Jack Myers
Naomi Shihab Nye reading her found poem "One Boy Told Me"
"Con el dolor de la mortal herida" or "Love Opened a Mortal Wound" by Sor Juana Inés de la Cruz, translated by Jaime Manrique and Joan Larkin
"In Praise of Noise" by James Arthur
"A Coin-Operated Railroad" by Mary Biddinger
Please take at least one, and please leave a story or a poem in it's place in the comments section.
Happy reading! Andrea
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Thursday, September 27, 2012
Take a Poem, Leave a Poem II
Labels:
Jack Myers,
James Arthur,
Naomi Shihab Nye,
poetry
Thursday, August 23, 2012
Take a Poem, Leave a Poem
I've been inspired by the "take a penny, leave a penny" jar at the local deli.
Poems in the jar today:
Please take at least one, and please leave a story or a poem in it's place in the comments section.
Happy reading! Andrea
Friday, August 17, 2012
A Found Poem Inspired by Elvis
Yesterday marked 35 years since Elvis' untimely passing. I know I'm a day late, but what better day than a Friday to celebrate The King? Here's a found poem I wrote comprised entirely of titles from a good number of his songs:
You don’t have to say you love me
a found poem crafted from titles of songs
Elvis Presley sang
Apron strings, a pocketful of rainbows,
the grass won’t pay no mind.
Baby, let’s play
house. A boy like me, a girl like you, even the bullfighter
was a lady. How would
you like to be rubberneckin’
in blue Hawaii while little sister is shopping
around? There ain’t
nothing like a song wearin’
that loved look. The
wonder of you, your blue
suede shoes, it’s impossible to make the world
go away. I want you,
I need you, I love
you, and though it’s a sin, kiss me quick
in the Kentucky rain.
I’ve never been
to Spain, I didn’t make it on playing guitar. Write to me
from Naples, surrender until it’s time for you
to go. It’s now or never in this heartbreak hotel,
just let me make believe for a while. Suspicious
minds, don’t be cruel, even a house that has everything
is a house of sand, and now and then
there’s a fool such as I.
-
I'd love to hear your Elvis memories!
Friday, August 10, 2012
Small Talk about Heavy Petting
If you haven't read Gregory Sherl's poetry collection Heavy Petting from YesYes Books, you need to put it on your reading list. Even if you're not a huge fan of poetry. I'm enamored with it. I take baths with it. I sleep with it on my back lawn. I brush my teeth and stare at it longing for my hands to be free so I can read it some more.
When I found out I won this book thanks to the great people at YesYes Books, a friend mentioned that this book was her boyfriend for a good while. Now I know what she meant. And yesterday, I came across the poem "Opening Credits" and my lust level reached a new height. I'd fall in love with the man who wrote me a poem with lines such as these:
When I found out I won this book thanks to the great people at YesYes Books, a friend mentioned that this book was her boyfriend for a good while. Now I know what she meant. And yesterday, I came across the poem "Opening Credits" and my lust level reached a new height. I'd fall in love with the man who wrote me a poem with lines such as these:
I'm glue residue
on your fingers. I'm hair and you're a Bon Jovi cover band.
Let me stay in the morning and I'll read you the backs of cereal boxes.
This book is a wild ride through obsessive-compulsive disorder about the little things in life that thrill us like cereal, Crystal Light, cookies, TV, nostalgia for our youth, and the larger things in life like love, sex, and fear. It's an oxymoron that keeps you coming back for more.
Some links for you:
What have you been reading?
Friday, August 3, 2012
Imaginary Lives
I'm working through The Artist's Way a little more slowly than I would like thanks to a hectic work schedule and the travel that comes along with it. After being gone from home for a little over two weeks, it was nice to sit down for my morning pages and ponder this question: "If you had five other lives to lead, what would you do in each of them?"
My answers:
1. Travel writer
2. Novelist/Poet
3. A mom
4. A singer/songwriter with a devoted little following but not enough of one to make me "famous"
5. An anchor alongside Diane Sawyer
What five other lives do you imagine yourself living?
I'll conclude with the lovely little poem Dreams by Langston Hughes.
My answers:
1. Travel writer
2. Novelist/Poet
3. A mom
4. A singer/songwriter with a devoted little following but not enough of one to make me "famous"
5. An anchor alongside Diane Sawyer
What five other lives do you imagine yourself living?
I'll conclude with the lovely little poem Dreams by Langston Hughes.
Wednesday, July 11, 2012
Poetry Pairing: Let's Go For a Swim
Ploughshares' Spring 2012 issue is a stunner. From Jamie Quatro's story "Sinkhole" to Andrew Meredith's nonfiction "The Removers" and I can't leave out Mary Jo Bang's poem "Practice for Being Empty," this whole issue is a fire giving life to a tired campsite.
Lauren Groff's essay "Swimming: A Plan B Essay" is a brilliantly written piece comparing the process and passion of a swimmer with that of a writer. Groff writes, "Full immersion, of course, is the highest level of anything." If this essay doesn't inspire one to write, I don't know what else can. I hope you are as moved by it as I am. This one's going on my office bulletin board.
Bob Hicock's poem "Learning to Swim" came to mind when reading Groff's essay. Learning to swim is finding one's salvation, no matter how you look at it.
Is there anything else you'd pair either of these pieces with? What do you think is the most compelling part of Groff's essay?
Lauren Groff's essay "Swimming: A Plan B Essay" is a brilliantly written piece comparing the process and passion of a swimmer with that of a writer. Groff writes, "Full immersion, of course, is the highest level of anything." If this essay doesn't inspire one to write, I don't know what else can. I hope you are as moved by it as I am. This one's going on my office bulletin board.
Bob Hicock's poem "Learning to Swim" came to mind when reading Groff's essay. Learning to swim is finding one's salvation, no matter how you look at it.
Is there anything else you'd pair either of these pieces with? What do you think is the most compelling part of Groff's essay?
Labels:
poetry,
Poetry Pairings,
writing
Thursday, July 5, 2012
The Shadow Artist Emerges
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Conclusion of A Poetry Handbook by Mary Oliver |
I've been a "shadow artist" too long. It wasn't until I began reading The Artist's Way by Julia Cameron last week that I discovered the name for it:
"Artists themselves but ignorant of their true identity, shadow artists are to be found shadowing declared artists."
"Creativity is play, but for shadow artists, learning to allow themselves to play is hard work."
The good news is, I've been working on emerging from the shadows, but I'm not out yet. I still have some work to do. It's one day at a time. Here are some lines from this inspiring book that are helping me to move along in the direction I know I want to go:
"Progress, not perfection, is what we should be asking of ourselves."
"Lighting illuminates."
Art is faith. I'm a believer.
-
What is art to you? How have you emerged from the shadows?
P.S. Did you know Poetry's July/August issue is online for free right now? Yes, it is! Go read it! I especially like Tony Hoagland's poem "There Is No Word."
Labels:
Mary Oliver,
poetry,
the heart,
writing
Wednesday, June 27, 2012
Seredipity at The Bookstore
Remember that little bookstore, The Bookstore, I walked to in the rain while I was in Lenox? Well, I didn't tell you what happened there, did I?
A little bit of serendipity. A little bit of the world telling me I was right where I needed to be, that I wasn't a fool for attending a writing workshop after all. I think Jack was smiling at me that day. Why, you ask?
While browsing through the poetry section in this bookstore, I noticed a small cardboard box in a chair, to the left of the bookshelf. There were dozens of old Poetry issues inside. The sign on the box read, "Old Poetry Issues. $2.50 each. Take a few."
I don't know why I did, but I reached right into the middle of the stack and pulled out this issue:
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Poetry, December 1971 issue, $1.25 |
Then, I opened the issue up to the Table of Contents only to find Jack Myers listed inside. What a treat! I took the issue straight to the counter to buy it. My walk back to Brook Farm Inn was a nostalgic one, as I thought of certain lectures and meetings with Jack about poetry and life in general.
![]() |
A great lineup, don't you think? |
Once back to my room, I poured a glass of wine and fell into a chair with my new prize. I read Jack's poems over and over again, then turned to the Contributor's Notes where I read:
"Jack Myers published his first collection of poems, Black Sun Abraxas, last year with Halcyone Press." There was an asterisk by his name indicating that this was his first appearance in Poetry.
At the time of this publication, that meant he was only 30 years old. Incredible.
Even in the afterlife, Jack has his way of pushing me along in my writing. I only wish I could thank him for all he did then, and all he continues to do now.
I hope you read his poems from this issue. (A personal favorite of mine is "We Never Talk.")
-
I'd love to hear about a particular serendipitous moment in your life or a moment where everything you've been working toward has been affirmed.
Labels:
Jack Myers,
poetry,
reading,
writing
Tuesday, June 12, 2012
Verse that is Free
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Montmartre by John Althouse Cohen via Flickr |
While reading A Poetry Handbook by Mary Oliver, the following lines from the chapter "Verse that is Free" about the evolution of free verse poetry really struck me:
"Now a line was needed that would sound and feel not like formal speech but like conversation. What was needed was a line which, when read, would feel as spontaneous, as true to the moment, as talk in the street, or talk between friends in one's own house."
Oliver concludes this section by saying, "The poem was no longer a lecture, it was time spent with a friend."
I then picked up the new issue of American Poet and read "Night Madness Poem" by Sandra Cisneros:
There's a poem in my head
like too many cups of coffee.
A pea under twenty eiderdowns.
A sadness in my heart like stone.
I'm good at making friends, and they're good at finding me. Time with a good poem is a treasure.
What do you think about free verse? Do you agree or disagree with Oliver?
Labels:
Andrea Beltran,
Mary Oliver,
poetry,
reading,
writing
Tuesday, June 5, 2012
Glimpses of The Berkshires
There were so many incredible moments on my trip to Lenox, MA for James Arthur's writing workshop. Here are a few:
Drove from Albany, NY to Lenox, MA listening to the new Norah Jones album "Little Broken Hearts" |
I had to pull over to capture this photo |
Olivia's Outlook - Had a semi-picnic here! |
Brook Farm Inn - They have a poem of the day posted every morning and the met delicious scones I've ever tasted! |
On the walk to Steepletop |
Steepletop - Edna St. Vincent Millay's home - wish I could've taken a photo of her library! |
The lovely group of people I shared my trip and lots of poetry with |
I walked to this bookstore in the rain one day. The blisters on my feet were worth it! |
A view from The Mount - Edith Wharton's estate |
About to start our tour of this divine home |
I'd like to have a view like this! |
The library - so much light it was hard to get a good shot! |
What a sight to end the day! |
Labels:
Edith Whatron,
Edna St. Vincent Millay,
James Arthur,
poetry,
travel
Thursday, May 10, 2012
Poetry Pairing: Travel
I'll be visiting Steepletop, Edna St. Vincent Millay's home, soon, and thought a pairing with her poem "Travel" would be appropriate for this week.
"Yet there isn't a train I wouldn't take
No matter where it's going."
Where is your train taking you? Mine is on it's way here:
"Yet there isn't a train I wouldn't take
No matter where it's going."
Where is your train taking you? Mine is on it's way here:
![]() |
View of the Berkshires by jbcurio via Flickr |
I'll close with a piece by Jonah Lehrer on the "secret tonic of creativity" and "Why we travel."
I'll be on a blog break through June. Wishing everyone happiness wherever your travels take you!
Labels:
poetry,
Poetry Pairings,
travel
Thursday, May 3, 2012
Poetry Pairing: To the Angelbeast and a Song
This week's poetry pairing comes to us from Peter Birckhead (a favorite Tweeter of mine who always brings a fresh perspective on things), who shared the below video of a song by Arthur Russell as a pairing to Eduardo C. Corral's poem "To the Angelbeast."
Thank you, Peter, for this exquisite pairing!
Thank you, Peter, for this exquisite pairing!
From Corral's poem: "All that glitters isn't music...Am I not your animal?"
Anything else you'd pair with this?
And I know I was only going to do the poetry pairings for National Poetry Month, but I've enjoyed it too much to stop. That being said, if you have a pairing you'd like to feature, please let me know, as I am always open for guest bloggers.
Smile, Andrea
Labels:
music,
poetry,
Poetry Pairings
Thursday, April 26, 2012
Poetry Pairing: Technology and Conversation
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Image via Randy Pertiet - Flickr |
I'm fascinated by this article from The New York Times: "The Flight from Conversation" by Sherry Turkle about how technology has affected the ways we communicate with each other and what it means for the future of our relationships. Turkle concludes with, "So I say, look up, look at one another, and let's start the conversation." I've been fortunate to have a few of these face-to-face conversations this week and the power of the spoken word versus text amazes me. I have a greater appreciation for those who are willing to forgo a text conversation for an actual phone call lately too.
A few days after reading this article, I happened upon Anna Moschovakis' poem "ninth: a conversation between Annabot and the Human Machine on the subject of overpowering emotion."
From the poem:
ANNABOT: I cannot feel your hand.
HUMAN MACHINE: I cannot feel your heart.
--
I am going to work on doing more of the above going forward.
Anything else you can think to pair with these?
AND don't forget today's Poem in Your Pocket Day! I've got "Advice from La Llorona" by Deborah A. Miranda in mine. What's in yours?
Labels:
National Poetry Month,
New York Times,
poetry,
Poetry Pairings
Thursday, April 19, 2012
Poetry Pairing: Annabel Lee
Edgar Allan Poe is the first poet I discovered during my elementary school years. I purchased a small book of his poems from the Scholastic book fair held in the library and fell in love, most especially with "Annabel Lee." Who wouldn't want to be loved "with a love that was more than love"? (Oh, I now feel sorry for all my pre-teen and teen loves!) All these years later, this poem still enchants me.
I recently downloaded Stevie Nicks' new album "In Your Dreams" and after the first song I was hooked. After hearing "Annabel Lee" in the lucky number 7 slot, I fell hard. Perfect voice to sing this haunting tale. Listen for yourself:
I was even more thrilled to come across Yusef Komunyakaa's essay on his first love, this very poem by Edgar Allan Poe. He writes: "At nine years old, I knew next to nothing about this kind of love, although I had been lightly touched by an element of it in the blues that drifted out of the radios in our kitchen and living room. To know this great longing through words made me tremble inside my skin, and I believe it helped me traverse some new territory in my imagination."
What poem or story was your first love?
I recently downloaded Stevie Nicks' new album "In Your Dreams" and after the first song I was hooked. After hearing "Annabel Lee" in the lucky number 7 slot, I fell hard. Perfect voice to sing this haunting tale. Listen for yourself:
I was even more thrilled to come across Yusef Komunyakaa's essay on his first love, this very poem by Edgar Allan Poe. He writes: "At nine years old, I knew next to nothing about this kind of love, although I had been lightly touched by an element of it in the blues that drifted out of the radios in our kitchen and living room. To know this great longing through words made me tremble inside my skin, and I believe it helped me traverse some new territory in my imagination."
What poem or story was your first love?
Labels:
first love,
National Poetry Month,
poetry,
Poetry Pairings
Thursday, April 12, 2012
Poetry Pairing: The Library as Home
It's National Library Week, so what better way to celebrate libraries and National Poetry Month than with another poetry pairing? And like last week, there's an added bonus.
The New York Public Library put together a powerful video starring a few of it's loyal patrons answering the question: "Where Do You Call Home?"
The New York Public Library put together a powerful video starring a few of it's loyal patrons answering the question: "Where Do You Call Home?"
This video made me think of Charles Simic's poem "In the Library." A few lines from it:
Now the sun is shining
Through the tall windows.
The library is a quiet place.
Angels and gods huddled
In dark unopened books.
And for the added bonus, you can read Simic's moving essay for The New York Review of Books: "A Country Without Libraries."
How do you feel about your local library?
Through the tall windows.
The library is a quiet place.
Angels and gods huddled
In dark unopened books.
And for the added bonus, you can read Simic's moving essay for The New York Review of Books: "A Country Without Libraries."
How do you feel about your local library?
Labels:
books,
National Poetry Month,
poetry,
Poetry Pairings,
reading
Thursday, April 5, 2012
Poetry Pairing: The "&"
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Ampersand by roseandsigil via Flickr |
While reading Kingdom Animalia by Aracelis Girmay, I was struck by the use of the & in place of "and" and even more struck when I came upon her poem employing it as its title. I've searched for this poem online to no avail and wish I could share the whole poem with you here, but hopefully this snippet will satisfy:
but even more
giving, you remind us
of the heart & how
the heart would
rather die thank keep
its two dark arms
all to himself;
his life, like our lives,
depends on what is at his side.
In an interview with The Rumpus, Girmay is asked about her use of ampersands in her writing and responds:
"I love the muscle of the "&"-- a muscular shape, a mustache, too. Kind of infinity. But not. A highway...
(read more by clicking on the interview above)
All this led me back to a story that intrigued me a few months back: Poets & Ampersands in Poets&Writers' January/February 2012 issue.
This has evolved from a pairing but I think it makes for an interesting subject! Do you use the "&" in your writing? Why or why not? And what are your thoughts on its use?
And please, feel free to add your own pairing to this!
Labels:
Andrea Beltran,
National Poetry Month,
poetry,
Poetry Pairings,
writing
Monday, April 2, 2012
Eating Poetry This Month
Happy National Poetry Month! Not only are flowers revealing themselves and trees beginning to bid with new life, but poetry is blooming too! I hope you'll be eating poetry with me this month as well.
A few ideas for celebrating:
The Found Poetry Review started The Found Poetry Project and made poetry kits for distribution this month. You can either try to find some in your city or you can make your own and get them out into your community! Five of them are going out in El Paso!
Robert Lee Brewer's Poem-A-Day challenge kicked off yesterday. I participated in this last year and found his writing prompts really helped to get the creativity flowing. My advice: Just write, write, write. Use May to go back and revise. Just get the thoughts down on paper (or into the computer)!
Maureen Thorson's NaPoWriMo site with daily prompts is another great challenge as well. I am still trying to decide between the two and don't want to overwhelm myself with both. A friend of mine made a good suggestion: choose one prompt a day from either challenge and write all the prompts down for later.
30 Ways to Celebrate via Poets.org
Randall Weiss shares his 10 National Poetry Month Activity suggestions. My favorite is #11.
Randall Weiss shares his 10 National Poetry Month Activity suggestions. My favorite is #11.
There are also lots of people holding contests on their blogs for poetry book giveaways this month. Jessie Carty is one you should definitely check out. I've read two of her chapbooks now and really enjoy her work.
It's never too late to give away a book yourself either!
I'm going to do a poetry pairing each Thursday on the blog for April. Stay tuned. I'm excited.
Enjoy April! Andrea
P.S. If you have any other ideas for National Poetry Month, please share with us!
Labels:
Andrea Beltran,
National Poetry Month,
poetry,
Poetry Pairings,
reading,
writing
Sunday, March 18, 2012
Almost Invisible and Other Good Finds
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Image by TrailSource.com via Flickr |
Mark Strand has a new book out! I need to order Almost Invisible. It's on my wish list for now because I have too many books in the pile, but I may just have to skip over a few and come back to them! My poem for the week is Strand's "Harmony in the Boudoir" from this new collection.
A few other good finds from this past week:
Another book I can't wait to get my hands and eyes on: Jack Gilbert's Collected Poems
"How to write a letter to a fan" by Roald Dahl
I love this flash fiction story by Tawnysha Greene in Dogplotz: "Woman Things"
What's going on in your world? What are your good finds of the week?
I'll conclude this post with a tweet that made me stop and reflect on my writing life (I need to listen more!) from Poets House:
We sit together, the mountain and me,
until only the mountain remains.
-Li Po
Labels:
Andrea Beltran,
books,
Mark Strand,
poetry,
writing
Wednesday, March 14, 2012
Notes from a Workshop with Ralph Angel
Ralph Angel reads a handful of poems
Going through some old journals this weekend, I found a sheet titled "Workshop Notes - Ralph Angel!! 4/21/07." The excitement I felt at finding these notes is similar to what I felt walking into that workshop with a writer I adored. I was so nervous, I can't remember half of the workshop, so thank goodness for these notes:
Anytime you can, use the pure noun and verb.
Vagueness never conveys vagueness.
If you have a heavy-handed subject, you cannot treat it heavy-handedly. (See Cesar Vallejo's "Weary Rings)
Poetry: language for a language that cannot be articulated. Art exists because it cannot be said.
--
What do you think about Angel's explanation of why art exists?
Labels:
Andrea Beltran,
poetry,
Ralph Angel,
writing
Monday, March 12, 2012
Tomatoes and Other Good Finds
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Tomato 1 by sfxeric via Flickr |
Because I'm still floating on new gardener air, I wanted to find a poem on gardening, or more specifically, tomatoes, and though this poem for the week isn't specifically on gardens or growing tomatoes, it does mention tomatoes in a dark yet touching sense: "Early Cascade" by Lucia Perillo.
Some other good finds:
How to be left alone to read while traveling (I got a good chuckle out of this write-up! I almost felt as if I was reading my own writing)
New video version of Taylor Mali's poem "What Teachers Make" via Jessie Carty
A favorite blogger of mine, Natalia Sylvester, on The Importance of Fictional Truths
Some Thoughts on the Lost Art of Reading Aloud via The New York Times - Do you read aloud anymore?
How was your week? Any good finds to share?
Happy Monday! Andrea
Labels:
Andrea Beltran,
books,
life,
New York Times,
poetry,
reading,
writing
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